To bring my hybrid paintings to life, I developed my own method. With the help of my partner, I created boards where geometric structures essential for my digital assemblies take shape.

On these surfaces, I apply acrylic paint with a knife, brush, or roller. Each gesture produces unique forms, fragments that will become my characters and abstract works.

Over time, more than a hundred boards have been created, each painted in a core palette of colors that define my signature. We then photograph each board in high resolution, creating a visual archive for my compositions.

The process begins with a preparatory drawing on a tablet, which serves as the backbone of the composition. In the assembly software, I carefully cut and arrange fragments from my boards until they integrate seamlessly with the drawing.

It is in this union between painted matter and digital composition that the final work emerges. Each piece is the result of a dialogue between manual gesture and technological precision, between the texture of the real and the construction of the image.

This is how my universe takes shape: between tradition and invention, between movement and depth, where material and digital worlds meet.